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Catalogue  arranged  by  Alfred  Stieglitz 
Cover  designed  by  Eduard  J.  Steichen 


A  COLLECTION  OF  AMERICAN  PICTORIAL 
PHOTOGRAPHS  AS  ARRANGED  BY  THE 
PHOTO-SECESSION  AND  EXHIBITED 
UNDER  THE  AUSPICES  OF  THE  CAM- 
ERA CLUB  OF  PITTSBURG,  AT  THE 
ART  GALLERIES  OF  THE  CARNEGIE 
INSTITUTE,  PITTSBURG,  FEBRUARY 
M  D  C  C  C  C  I  V 


Wt)t  Carnegie  institute 

Carnegie  Institute  was  founded  by  Andrew  Carnegie  on  the  second  day 
of  March,  A.  D.  1896.  The  deed  of  trust  appointed  a  Board  of  Trustees 
composed  of  eighteen  members,  with  power  of  perpetuation,  and,  ex-officio, 
the  members  of  the  Board  of  Trustees  of  the  Carnegie  Library,  as  said  Board 
may  from  time  to  time  be  composed;  and  dedicated  an  annual  fund  of 
$50,000  in  perpetuity  for  the  purchase  of  objects  of  art  for  a  Department  of 
Fine  Arts  and  Scientific  Collections  for  a  museum.  The  institute  is  com- 
posed, therefore,  of  two  departments,  but  is  closely  allied  with  the  Carnegie 
Library  and  Music  Hall,  and  occupies  the  same  building.  The  annual  fund 
for  the  use  of  the  Department  of  Fine  Arts  and  the  Museum  was  increased 
by  the  donor  on  November  12,  1901,  to  $100,000. 

The  amount  given  by  Mr.  Carnegie  for  the  erection  of  the  main  build- 
ing and  the  branch  buildings  connected  with  the  Library  was  $1,100,000. 
A  new  building-fund  of  $5,000,000  was  provided  by  the  founder  in  March, 
1903,  for  an  extension  to  the  main  building.  Pending  the  construction  of 
this  extension,  important  collections  are  withheld  from  exhibition,  owing  to 
lack  of  space. 

The  Department  of  Fine  Arts  is  open  during  the  week  from  10  a.  m. 
to  10  p.  m.,  and  on  Sunday  from  1  p.  m.  to  6  p.  m.,  and  admission  is  free 
to  the  people.  Decoration  Day,  Fourth  of  July,  and  Christmas  the  Insti- 
tute and  the  Library  are  closed. 

Gifts  of  objects  within  the  range  defined  by  the  term  "Fine  Arts"  will 
be  gladly  received  by  the  department,  and  communications  relating  thereto 
should  be  addressed  to  the  Director  of  Fine  Arts,  Mr.  John  W.  Beatty. 


%\>t  Camera  Club  of  pttsfturg 

(Established  July  15,  1903) 

The  Camera  Club  of  Pittsburg  is  pledged  to  promote  the  interests  of 
pictorial  photography  and  to  sanction  only  such  work  "as  shows  distinctive 
evidence  of  artistic  perception  and  execution."  The  object  of  the  Society 
is  to  aid  its  members,  through  monthly  exhibitions  with  constructive  criti- 
cism, to  advance  the  quality  of  their  work,  to  promote  good-fellowship 
among  its  members,  and  to  hold  an  annual  exhibition,  open  to  all  pictorial 
photographers. 

The  management  of  the  Society  is  entirely  in  the  hands  of  a  Board  of 
Trustees,  composed  of  the  Director  and  six  others,  actively  interested  in  the 
advancement  of  pictorial  photography. 

Membership  is  open  to  pictorial  photographers  only.  As  all  members 
are  chosen  with  regard  to  their  interest  in  the  aims  of  the  Society,  and  are 
therefore  expected  to  work  in  entire  sympathy  with  the  Society's  object, 
Rules  or  By-Laws  are  deemed  unnecessary. 

The  annual  dues  to  meet  current  expenses  are  $5.00,  payable  to  the 
Director  on  or  before  October  1  of  each  year.       Membership  fee  is  $10.00. 

Membership  at  present  limited  to  25.  Applications  as  well  as  all  other 
communications  should  be  addressed  to  the  Director,  Lewis  F.  Stephany. 


C.   Dudley  Armstrong 
Prof.    F.   T.    Aschman 

W.   S.    Bell 
Francis  E.    Gaither 

Robert   Gregc 

James  B.   McClav 

Norman   McClintock 

J.    W.    McGrady 
William   J.    Mullins 


ittcmberg 


Oscar   C.    Reiter 

Marshall  H.    Reno 

David   Rosser 

Hon.  George  Shiras,  3D 

R.  L.  Sleeth,  Jr. 

Lewis  F.   Stephany 

*Alfred  Stieglitz 

M.    L.   Stout 

V.   H.  Walter 


*  Honorary 


(Founded  February  iy,  ig02) 

The  aim  of  the  Photo-Secession  is,  loosely,  to  hold  together  those 
Americans  devoted  to  pictorial  photography  in  their  endeavor  to  compel 
its  recognition,  not  as  a  handmaiden  of  art,  but  as  a  distinctive  medium 
of  individual  expression. 

Utet  of  ^Sternberg 

iFounoers,  iFcllotos  of  t^e  Council 


John  G.  Bullock Philadelphia 

Wm.  B.  Dyer Chicago 


Frank  Eugene 
Dallett  Fuguet     . 
Gertrude  Kasebier 


New  York 
New  York 
New  York 


Joseph  T.  Keiley New  York 

Robert  S.  Redfield     ....      Philadelphia 


Eva  Watson-Schutze 
Eduard  J.  Steichen     . 
Alfred  Stieglitz   . 
Edmund  Stirling    . 
John  Francis  Strauss 
Clarence  H.  White  . 


Chicago 
New  York 
New  York 

Philadelphia 
New  York 

.     .      Ohio 


CUcteo  jfellotos 

Alvin  Langdon  Coburn  .     .     .       New  York      Wm.  B.  Post Maine 

Mary  Deveks Boston      Sarah  C.  Sears Boston 

W.  F.  James Chicago      S.  L.  Willard Chicago 


associates 


Prescott  Adamson 
Wm.  P.  Agnew 
A.  C.  Bates      .     . 
A.  K.  Boursault  . 
Annie  W.  Brigman 
Norman    W.    Carkhuff, 
Wm.  E.  Carlin 
S.  R.  Carter    . 
Mrs.  Fannie  E.  Coburn 
J.  Mitchell  Elliot    . 
Dr.  Milton  Franklin 
Herbert  G.  French    . 
George  D.  Heisey 
Herbert  Arthur  Hess 
Sam.  S.  Holzman  . 
S.  Stockton  Hornor  . 
J.  B.  Kerfoot  . 
Marshall  R.  Kernochan 
R.  Kimbel    . 
Sarah  H.  Ladd 
Chester  Abbott  Lawrence 
Fred.  K.  Lawrence     . 


Philadelphia 

New  York 

.    Cleveland 

New  York 

Oakland,  Cal. 

Washington,   D.    C. 

New  York 

Toronto 

New  York 

Philadelphia 

New  York 

.  Cincinnati 

.     Newark,  O. 

Springfield,  111. 

New  York 

Concordville,  Pa. 

New  York 

New  York 

New  York 

Portland,  Ore. 

New  York 

Chicago 


L.  M.  McCormick  ....  New  York 
Charles  H.  MacDowell      .      .     .       Chicago 

Oscar   Maurer San  Francisco 

William  J.  Mullins  ....  Franklin,  Pa. 
Charles  Peabody  .  .  .  Cambridge,  Mass. 
Mrs.    Charles    Peabody,    Cambridge,    Mass. 

Olive  M.  Potts Philadelphia 

Harry  B.  Reid New  York 

C.  W.  Roepper Philadelphia 

Harry  C.  Rubincam Denver 

T.  O'Connor  Sloane  .  .  Orange,  N.  J. 
Walter  P.  Stokes  ....  Philadelphia 
Mrs.  George  A.  Stanbery,  Zanesville,  O. 
Katharine  Stanbery  .     .      .      Zanesville,   O. 

Lewis  F.  Stephany Pittsburg 

Geo.  B.  Vaux Philadelphia 

Mary  Vaux Philadelphia 

S.  S.  Webber Trenton,  N.  J. 

Lily  E.  White  ....  Portland,  Ore. 
Myra  A.  Wiggins  ....  Salem,  Ore. 
Arthur  N.  Wilde      ....      Philadelphia 


Alfred  Stieglitz,  Director,  nil  Madison  Avenue,  New  York,  N.  Y. 


Digitized  by  the  Internet  Archive 

in  2010  with  funding  from 

Research  Library,  The  Getty  Research  Institute 


http://www.archive.org/details/collectionofamerOOstie 


PLATES. 
I.      Rodin. 

By  Eduard  J.  Steichen 

II.      John   W.  Beatty,   Jr.,  and  His    Sister   Katherine 
Elizabeth 

By  Clarence  H.  White 

III.  The  Manger. 

By  Gertrude  Kasebier 

IV.  The  Hand  of  Man. 

By  Alfred  Stieglitz 

V.      Gables. 

By  Alvin  Langdon  Coburn 

VI.      'Midst  Steam  and  Smoke. 

By  Prescott  Adamson 

VII.      Leonore. 

By  Joseph  T.  Keiley 


rB 


ftlS  S 


The  foregoing  proofs  were 

printed  from  plates  loaned 

by  Camera  Work 


CATALOGUE 

ABBOTT,  C.  YARNALL 

43  South  Eighteenth  Street,  Philadelphia,  Pa. 

i.  Study  of  a  Head 

2.  The  Darker  Drink 

3.  Coryphee 

4.  The  Brook — Winter 

5.  Study  for  "The  Darker  Drink" 

6.  The  Bridge 

7.  The  Pier 

8.  Outdoor  Portrait 

9.  Sentinels 

10.  An  Andalusian 

11.  Illustrations  from  "Madame  Butterfly" 
(Courtesy  of  Century  Co.) 

12.  Illustrations  from  "Madame  Butterfly" 
(Courtesy  of  Century  Co.) 

ADAMSON,  PRESCOTT 

69  Fisher's  Lane,  Germantown,  Pa. 

13.  'Midst  Steam  and  Smoke 

14.  A  Winter  Night 

15.  Snow  Storm  at  Dusk 

ASCHMAN,  F.  T. 

Pittsburg,  Pa. 

16.  The  Day  is  Dying  in  the  West 

BECHER,  ARTHUR    E. 

Milwaukee,  Wis. 

17.  Moonlight 

18.  Portrait 

BENNETT,  JEANNE    E. 

122  Windermere  Avenue,  Baltimore,  Md. 

19.  Little  Peasant  Girl 


20. 

A  Misty  November  J> 

doming 

21. 

Primroses 

BRIGMAN,  annie 

W. 

654  Thirty-seconc 

i  Street, 

Oakland, 

Cal 

22. 

Rachel 

23- 

The  Mother 

24. 

The  Madonna 

CATALOGUE 


BULLOCK, 

JOHN 

G. 

6439  Greene  Street, 

Germantown, 

Pa. 

25- 

26. 

27. 

Landscape 
Landscape 
The  Music- 

box 

28. 

The  White 

Wall 

29. 
3°- 

Landscape 
The  Beach 

CARTER,  SIDNEY  R. 
Toronto,  Can. 

31.  A  Study 

CLARK,  rose,  and  WADE,  Elizabeth  flint 

321  Hudson  Street,  Buffalo,  N.  Y. 

32.  Out  of  the  Past 
23.     An  "Israel  " 

34.  Doris  and  Her  Mother 

35.  Miss  M.  of  Washington 

36.  Annetje 

COBURN,  ALVIN  LANGDON 

384  Fifth  Avenue,  New  York,  N.  Y. 

37.  Portrait 

38.  The  Studio  on  the  Hill 

39.  Gables 

40.  The  Bridge,  Ipswich 

41.  Bell-tower,  Santa  Barbara  Mission 

42.  The  Edge  of  the  Forest 

43.  Portrait  of  My  Grandmother 

44.  The  Docks,  Portsmouth 

45.  The  Dragon 

46.  Mother  and  Child— A  Study 

47.  Little  Venice 

48.  Portrait — Alfred  Stieglitz 

49.  Portrait 

DEVENS,   mary 

155  Brattle  Street,  Cambridge,  Mass. 

50.  La  Grandmere 

51- 

52- 

53 

54 

55 


A  Native,  Capri 

The  Ferry,  Concarneau 

A  Charcoal  Effect 

Portrait 

On  the  Giudecca 


CATALOGUE 


DYER,  wm.  B. 

Winnetka,  111. 


56 


From  the  Clay 


57.  The  Model 

58.  Girl  of  the  Plains 

59.  Fraternity 

60.  Fourth  of  July 

61.  The  Model 

62.  The  Thistle 

63.  Miss  W. 

64.  Study  of  a  Head 

65.  Dinah  Morris 

66.  The  Observer 

67.  August 

EDMISTON,  THOMAS  M. 
Newark,  O. 

68.  Carving  the  Name 

69.  On  the  Hillside 

EICKEMEYER,  Jr.,  rudolf 

Yonkers,  N.  Y. 

70.  A  Summer  Night 

71.  A  Summer  Morning 

72.  A  Decorative  Portrait 

73.  Summer  Sea 

74.  Winter 

75.  Winter 

EUGENE,  FRANK 

At  present,  Munich,  Germany 

76.  Man  in  Armor 

77.  Adam  and  Eve 

78.  Portrait — Alfred  Stieglitz 

79.  Lady  of  Charlotte 

80.  Dogwood 

81.  La  Cigale 

82.  Nude 

83.  Portrait — Miss  Jones 

84.  Song  of  the  Lily 

FRENCH,  HERBERT  S. 

United  Bank  Building,  Cincinnati,  O. 

85.  Child  at  Play 

86.  Study 

87.  Spirit  of  the  Violin 

88.  Jhana 


CATALOGUE 
HARRIS,  TOM 

(Deceased) 

89.  Portrait — Sadakichi  Hartmann 

HESS,  HERBERT  ARTHUR 

Springfield,  111. 

90.  Willows 

91.  Invocation 

92.  Solitude 

93.  Summer  Idyl 

94.  An  Idyl 

95.  A  Study 

HORNOR,   S.  STOCKTON 
Ireton,  Concordville,  Pa. 

96.  Fair  Weather 

97.  Ebb-tide 

98.  The  Entrance 

99.  Decorative  Panel 

100.  Pippa  Passes 

JAMES,  WILLIAM  T. 

4  Board  of  Trade,  Chicago,  111. 

101.  The  Alley 

102.  An  April  Morning 

103.  Christmas  Shopping 

104.  Breath  of  Commerce 

KASEBIER,  GERTRUDE 

273  Fifth  Avenue,  New  York,  N.  Y. 

105.  The  Bat 

106.  Labor 

107.  Portrait 

108.  Father  Huntington 

109.  Portrait 

1 10.  Harmony 
in.  The  Manger 

112.  Portrait 

113.  Portrait — Alvin  Langdon  Coburn 

1 14.  Portrait  of  Mrs.  W.  and  Infant 

1 1 5.  Blessed  Art  Thou  Among  Women 

1 1 6.  Pastoral 

117.  Black  and  White 

118.  Sketch 

119.  The  Kiss 

120.  Portrait — Baron  de  Meyer 


CATALOGUE 

KASEBIER  —  Continued 

121.  My  Neighbors 

122.  Happy  Days 

KEILEY,  JOSEPH  t. 

213  Clermont  Avenue,  Brooklyn,  N.  Y. 

123.  Zitkala-Sa 


124 
125 
126 
127 
128 
129 
130 

132 

!33 

x34 

*3S 
136 


Bacchante 

Indian  Head 

The  Last  Hour  t 

The  CoifFure 

Dusk 

Citizen  Fouche 

Leonore 

Portrait — Mercedes  de  C. 

The  Old  Pennsylvania  Barn 

The  Ruin 

Spanish  Girl 

Girl  with  Shawl 

Dust-blown 


KEIPP,    MARY  M. 

Selma,  Ala. 

137.  Beyon' 

KERNOCHAN,  Marshall  r. 

182  Madison  Avenue,  New  York,  N.  Y. 

138.  Dusk. 

McCLAY,  JAMES  B. 
Pittsburg,  Pa. 

139.  Sheep 

McGRADY,  J.  w. 

Pittsburg,  Pa. 

140.  Window  Study 

MULLINS,  William  J. 

Franklin,  Pa. 

141.  The  River  Path 

142.  Landscape. 

NIEDECKEN,  GEORGE 

Milwaukee,  Wis. 

143.  Portrait — Miss  T. 

144.  Portrait — Miss  F. 

145.  Portrait  —  Mrs.  W. 


CATALOGUE 

POST,  WILLIAM   B. 

Fryeburg,  Me. 

146.  Lovewell's  Pond 

147.  Intervale — Winter 

148.  Wintry  Weather 

149.  Winter  Impression 

REDFIELD,  Robert  s. 

Wayne,  Pa. 

150.  A  Marsh  Home 

151.  Morning  Mist 

152.  Road  by  the  Marsh 

153.  Cabbage  Garden 

RENWICK,  w.  w. 

15  West  Twenty-eighth  Street,  New  York,  N.  Y. 

154.  Nude 

RUBINCAM,  HARRY  c. 

207  Century  Building,  Denver,  Col. 

155.  Lady  with  Veil 

RUSSELL,   MARY  M. 

Cambridge,  Mass. 

156.  Portrait  of  an  English  Gentleman 

157.  The  Baker  of  Thun 
Robert 

Lac  Leman  Boats 
Misunderstood 
Poplars,  Valley  of  the  Rhone 
The  Dent  du  Midi  from  Leysin 
Kathleen 


158 

159 
160 
161 
162 
163 


SCHUTZE,  EVA  WATSON- 

344  East  Fifty-seventh  Street,  Chicago,  111. 

164.  The  Rose 

165.  Portrait — Miss  B. 

166.  The  Student 

167.  Mildred 

168.  Portrait — Harvey  White 

169.  Lady  Eating  Fruit 

170.  Italia 

171.  Study,  Miss  C. 

172.  May-apple  Leaf 

173.  De  Cipriani 

174.  Study  of  Lines 


CATALOGUE 

SCHUTZE  — Continued 

175.  A  Morning  Picture 

176.  Portrait  of  Miss  W. 

177.  A  Group 

178.  Portrait  of  a  Young  Girl 

SEARS,  SARAH  c. 

12  Arlington  Street,  Boston,  Mass. 

179.  Portrait  of  Mrs.  H. 

180.  Portrait  of  G.  M.  S.,  Jr. 

181.  Helen 

182.  A  Study 

183.  Portrait  —  Julia  Ward  Howe 

184.  Alice  Barclay 

185.  Portrait  of  Dr.  S. 

SLEETH,  Jr.,  r.  l. 

Willcinsburg,  Pa. 

186.  Autumn  Landscape 

187.  A  Sketch 

STANBERY,  Katharine  sheward 

433  Adair  Avenue,  Zanesville,  O. 

188 
189 
190 
191 
192 

J93 

194 


Lady  Glenmire 

The  Elms 

Collie  Duncan 

Tiger-lily 

Dusk 

Profile  —  Ada  Vari  Voorhis 

Onyx 


STANBERY,  MRS.  GEO.  A. 

433  Adair  Avenue,  Zanesville,  O. 

195.  Philemon  Stanbery 

196.  Lady  with  Cup 

STARK,  FERDINAND 

500  Fifth  Avenue,  New  York,  N.  Y. 

197.  The  Two  Swami's 

198.  Portrait 

STEICHEN,  EDUARD  J. 

291  Fifth  Avenue,  New  York,  N.  Y. 

199.  J.  Pierpont  Morgan,  Esq. 

200.  Rodin 


CATALOGU  E 


STE1CHEN  —  Continued 

201.       Theobald  Chartran 

202 

203 

204 

205 

206 

207 

208 

209 

210 

21 1 

212 

213 

214 

215 

216 


Moonrise 

The  Little  Round  Mirror 

Portrait  of  Rodin 

George  Frederick  Watts 

The  Pool  —  Evening 

Sadakichi  Hartmann 

Eleonora  Duse 

Maurice  Maeterlinck 

P.  A.  Besnard 

Solitude  —  F.  Holland  Day 

An  Old  Pennsylvania  Woman 

Portrait  of  a  Young  Man 

Dawn  Flowers 

The  White  Oxen— Twilight 

Parfum  des  Fleurs 


STEPHANY,  lewis  F. 

Cor.  Lexington  and  Reynolds,  Pittsburg,  Pa. 

217.  Landscape 

STIEGLITZ,  ALFRED 

mi  Madison  Avenue,  New  York,  N.  Y. 

218.  Spring 

219.  The  Hand  of  Man 

220.  The  Street — Winter 

221.  Spring  Showers 

222.  The  Flatiron,  New  York 

223.  Children  on  Beach 

224.  Icy  Night 

225.  Watching  for  the  Return 

226.  Winter,  Fifth  Avenue 

227.  The  Net-mender 

228.  Gossip,  Katwyk 

229.  September 

230.  The  Incoming  Boats 

231.  Katherine 

STIRLING,  EDMUND 

4517  Kingsessing  Avenue,  Philadelphia,  Pa. 

232.  The  New  Stitch 
*33- 


234 

235 
236 

237 


Bad  News 

The  Stained  Gown 

The  Drawing  Lesson 

A  Student  of  Balliol 

Portrait 


CATALOGUE 

STRAUSS,  JOHN  FRANCIS 

3 1  West  Sixty-ninth  Street,  New  York,  N.  Y. 

238.  Brooklyn  Bridge — Night 

WEIL,  MATHILDE 

1728  Pine  Street,  Philadelphia,  Pa. 

239.  Off  the  Track 

240.  Springtime 

241.  The  Crab 

242.  Lisbeth 

WHITE,  CLARENCE  H. 

Newark,  O. 

243.  The  Black  Bowl 

244.  Portrait — Mr.  Lisle 

245.  Portrait — Miss  Felix 

246.  Winter 

247.  The  Deluge 

248.  Illustration  for  "Beneath  the  Wrinkle" 
(Courtesy  of  S.  S.  McClure  Co.) 

249.  Sunlight 

250.  The  Finish 

251.  Portraits  of  the  Beatty  Children 

252.  Illustration  for  "Eben  Holden" 
(Courtesy  of  Lothrop  Publishing  Co.) 

253.  March 

254.  Telegraph-poles 

255.  The  Sisters 

256.  Wagon-shed 

257.  The  Canopied  Bed 

258.  Man  with  Violin 

259.  Boy  with  Camera  Work 

260.  Summer  Days 

WIGGINS,  MYRA  A. 

Portland,  Ore. 

261.  At  Work 

262.  On  the  Edge  of  the  Cliff 

WILDE,  ARTHUR  N. 

141  East  Washington  Lane,  Germantown,  Pa. 

263.  Landscape 

264.  Landscape 

WILLARD,  s.  L. 

Wilmette,  111. 

265.  A  Memory  of  Glenview 


CATALOGUE 


WILLARD — Continued 

266. 

267. 
268. 

Poverty 
Forest  Hymn 
An  American  Girl 

269. 
27O. 
27I. 

272. 

Conspiracy 
Master  Coburn 
Portrait  Study 
The  Veil 

273- 

Oenone 

ADDENDA 

BENNE1  T,  JEANNE    E. 

274. 

122  Windermere  Avenue, 
Soap  Bubbles 

Baltimore, 

Md 

COBURN,  FANNIE  E. 

384  Fifth  Avenue,  New  York,  N. 

Y. 

275. 

Evening 

KEILEY,  JOSEPH  T. 

276. 
277. 
278. 
279. 

213  Clermont  Avenue,  Bi 
Dusk,  White  Marsh  Valley 
Sunrise,  Lake  George 
Spring 
Study  in  Flesh  Tones 

ooklyn, 

N. 

Y. 

NIEDECKEN,  george 

Milwaukee,  Wis. 

280.  The  Sisters 

PEABODY,  CHARLES 

Cambridge,  Mass. 

281.  Katherine 

PEABODY,  JEANETTE  B. 

Cambridge,  Mass. 

282.  Boy  with  Bowl 

283.  Child  with  Lamb 

284.  Pine-trees  at  Sunset 

285.  Child  with  Fish-bowl 

POTTS,  OLIVE  M. 

10  South  Eighteenth  Street,  Philadelphia,  Pa. 

286.  Portraits 

RENO,   MARSHALL  H. 
Pittsburg,  Pa. 

287.  November  Evening 


CAMERA 
WORK 

^MOvQ^i^N     ILLUSTRATED 

(l^S?!'1'5 \s    \h \ylw2n   edition-de-Iuxe      quar- 
^^n//o\\°l/oW^   ter'y>     published     and 

^Slr"vlcrr'  edited  by  Alfred  Stieg" 

0%nZw*j \  \Xri&"   ^tz>  ^n  tne  interests  of 
^^fy//r^^^}^\p    Pictorial    Photography 
^^^Li^M^L^^   and  the  Advancement 

(=^<^^£V*ss^j!^^    of  Photography  gener- 
ally.    Associate  Editors  :  Joseph  T.  Keiley, 
Dallett   Fuguet,  and  John   Francis   Strauss. 
A  unique  publication. 

No.  I.   Kasebier  Number  .     .  six  dollars  per  copy 
No.  II.  Steichen  Number  .     .  six  dollars  per  copy 
No.  III.  White  Number  .     .  four  dollars  per  copy 
No.  IV.   Evans  Number   .     three  dollars  per  copy 
No.  V.   Demachy   Number,  three  dollars  per  copy 

Subscriptions  for  the  year  1904,  five  dol- 
lars ;  including  registering  and  packing,  five 
dollars  and  firty  cents.      Four  issues  are  in- 
cluded in  every  subscription. 

A  few  sets  of   Nos.  I,  II,  III,  and   IV, 
bound  in  full  leather,  twenty-five  dollars. 

ADDRESS 

ALFRED    STIEGLITZ 

162  Leonard  St.,  New  York 

s<  «• 


THE 

PHOTOCHROME 

ENGRAVING 
COM  P ANY 

fill 

Photogravures ,  Half-tones 

162-166  Leonard  Street 
NEW  YORK 

Fleming  &  Carnrick 


Printing  in  Black  and  Colors 
from  Original  Designs 

520    West    Broadway 
NEW    YORK 

Telephone  3580  Spring 


»»' 


60  Prize  Pictures 

reproduced  as  nearly  as  possi- 
ble in  the  original  colors  of 
the  photographs,  in  half-tone, 
bound  in  an  elegant  Souvenir 
Portfolio  of  64  pages,  on  heavy 
plate  paper,  with  Ten  Papers 
on  Ten  Phases  of  Photogra- 
phy, by  ten  of  the  most  promi- 
nent photographers, 

25  Cents 

These  60  pictures  received  the  Judges' 
Awards  in  our  $3,000. 00  Competition 
just  closed.  They  are  the  pick  of  the 
thousands  of  prints  from  every  part  of 
of  the  world  and  represent  the  highest 
attainments  in  every  line  of  photog- 
raphy. Every  one  interested  in  pho- 
tography should  not  fail  to  have  this 
elegant  portfolio,  as,  aside  from  its 
artistic  value  and  the  pleasure  of  own- 
ing such  a  collection  of  pictures,  it  is  a 
symposium  of  good  lighting,  good  com- 
position, good  pictorial  photography. 
It  contains  no  advertising  matter.  We 
simply  want  our  friends  to  see  the  work 
the  best  photographers  are  doing  with 
our  lenses    in   all   parts   of  the  world. 

Send  25  cents,  Stamps  or  Coin 

Bausch  &  Lomb  Optical  Co. 

Rochester,  N.  Y. 


Graflex  &  Graphic 

are  the  Best  in  Cameras 


Ask.  your  dealer  or  write  to 


The  Folmer  &  Schwing  Mfg.  Co. 

407  Broome  Street,  New  York  City 


EASTMAN'S 
SEPIA  PAPER 

gives  beautiful,  warm  brown  shadows  and  half-tones, 
with  mellow,  creamy  high  lights.  Especially  effective 
when  used  with  broad,  sketchy  negatives. 


EASTMAN  KODAK  CO. 

For  sale  by  all  dealers.  Rochester,  N.  Y. 


Developer-poisoning  is  no  Small 

Matter 

EDINOL 

Has  yet  to  have  a  single  case 
of  poisoning  recorded  against 
it.  In  addition  to  this  impor- 
tant factor  of  personal  safety,  it 
has  no  superior  as  a  developer. 

Farbenfabriken  of  Elberfeld   Company 

40  Stone  Street,  New  York,  N.  Y. 

To  be  had  from  all  supply  dealers  or  directly  from  ourselves. 


No  matter  how  proficient  you 
may  be  in  the  art  of  Photog- 
raphy, that  proficiency  may  be 
greatly  increased  by  the  use  of  a 

GOERZ 

Double  Anastigmat  Lens 

Series  III.  f  6.8  Series  I  B.  f  4.5— f  5.5 


C. 


Many  of  the  pictures  in  this  exhibition   were 

made  with  one  of  the  above  lenses. 
Send   for  new  illustrated  catalogue — just  out. 

P.    GOERZ    OPTICAL    WORKS 

52    Union   Square,    East,    New  York 


The   SEED 

NON-HALATION 
ORTHO     PLATE 


PORTRAIT    AND 
LANDSCAPE 


A    HIGH-GRADE    PLATE,   ABSO- 
LUTELY   UNIFORM   IN  QUALITY 


THE  SEED  Non- 
halation  Ortho 
Plates  are  daily 
gaining  new  adher- 
erents.  Given  a  trial  no  other 
brand  will  again  satisfy. 

These  claims  are  substan- 
tiated in  the  following,  writ- 
ten to  us  by  the  Editor  of 
Camera  Work: 

"For  three  years  I  have  used  the 
Seed  Non-halation  Ortho  Portrait- 
plate  for  virtually  all  my  serious 
work,  including  so-called  snapshots. 
In  my  opinion  it  is  the  most  perfect 
all-around  plate  in  the  American 
market  to-day.  For  that  reason  — 
together  with  its  absolute  reliability 
— I  am  using  it  as  the  standard  by 
which  I  test  all  other  plates." 


i. 


5i 


GETTY  CENTER  LIBRARY 


